Thursday, December 3, 2009

Happy Sigh



Ahhhh. So soothing. So pretty and girly and sweet. So SIMPLE! This card turned out BETTER than I imagined it. Wow. That hardly ever happens.

And now for a word about butterfly butts. I know lots of stamp designers and stampers have dots (poo) or swirls (gaseous farts) coming out of butterfly butts. I personally have used this technique for indicating the movement of butterflies (and dragonflies) myself, but every time, I cringe a bit. Am I the only person who finds this mildly disturbing? I very deliberately placed my big butterfly over the swirl so it would NOT look like the butterfly was farting curly foliage. The shadow sort of hides how the swirl appears under his wing, thus indicating he's flying over foliage, not farting it.

Or do I just need therapy for being too AR? Get it? AR? Haa, haa, haa.

I think I just answered my own question. Sorry to have bothered you.


Supplies
stamps: PTI Signature Greetings, Turn a New Leaf
ink: VersaColor cocoa, cinammon
paper: PTI white
accessories: MS butterfly punch, dimensional, gemstones (champagne)

Wednesday, December 2, 2009

Ribbon Rush

I used to use ribbon on every card I made, so I bought every ribbon that looked remotely useful or pretty to me. About a year ago, my ribbon stash became quite unruly, so I cleaned it out mercilessly. Lots of the ribbons I had accummulated didn't match ANY of the cardstock I had and were simply taking up space. I compared each ribbon to a swatch of cardstock; if it didn't match any of my colors, I put it in a big bag. Our church preschool appreciated the donation, and I was left with a nice selection of ribbon I could actually use.

Since then, I've been very selective about the ribbons I buy, but one consequence of this has been to make my ribbon stash sort of boring: mostly grosgrain, a few sheer and satin, very little else. And lately, I've hardly used ribbon at all.

Every now and then, I come across a funky ribbon that has colors that match SU or PTI or inks I have, and those ribbons jump all by themselves into my cart. IT'S NOT MY FAULT! But now that my ribbon stash is growing again, I need to USE it. So here goes:




The light side of the ribbon is on top, to simulate snow over grass. The pointy effect of the ribbon echoes the pointy Christmas tree and the "W" of "wishes." I experimented with three shades of green ink, one for each section of the tree, but I just didn't have the right shades to match the ribbon well. I did use a lighter green gemstone to top the tree, and darker green gems below. (Wouldn't it be cool if I had three shades of green gemstones? Sigh. Guess we can't have everything.) It's a 4.25-inch square card, which seems to be a good proportional size for these trees from PTI's Merry and Bright set.

What are your feelings about ribbon? How do you decide what to buy? Have you tried silk ribbon yet? If so, did you love it or not so much? Where do you buy your ribbon?

Inquiring minds want to know.

Supplies
stamps: PTI Merry and Bright
cardstock: PTI white (of course)
ink: can't remember, but the sentiment looks like VersaColor Tea Leaves
accessories: gemstones, dimensionals, ribbon

Tuesday, December 1, 2009

When Things Go Sideways

While this card isn't perfect, please, as you look at it, IMAGINE that the pink is darker, the green lighter, and the butterfly more dimensional. Because really and truly, this card is much more balanced than the photo would indicate, despite relentless fiddling in Picasa.

You see, Picasa was just the final frustration with this card.




Here is the card that I referred to yesterday: the formerly one-layer card on which I stamped the sentiment badly. I pressed too hard on the stamp and the lines got all wonky-looking. I stamped it again (notice how neatly!) on a scrap and cut it out to cover up the mistake.

Yay, Susan! You saved the day!

Then I thought, golly, wouldn't it be cool to round the upper right and lower left corners of the sentiment panel, where the leaves aren't?

Yep. Do that, Susan! It'll look so, like, you know, RADICAL!

Then, I thought, hey, wait a minute! Wouldn't a butterfly look great here? It would add a touch of interest to an otherwise semi-boring card.

Oooooh, YES! Do that, Susan. You are undeniably a genius!

So I punched some butterflies in blush blossom, but the color didn't quite work with the VersaColor cinnamon. I tried stamping a polka dot background and punching out a butterfly from it, but that looked totally weird. I finally beat a safe retreat to white with olive gems. Well, I could live with it, even if it's not completely perfect.

Maybe you're still a genius. Even Leonardo da Vinci screwed up every now and then.*

Then I put dimensionals on the sentiment panel, adhered it to the card, glued down the butterfly, added the rhinestones, and propped the card up to admire it.

Susan, you're an idiot!

Do you see the problem? Where, oh where, are the two rounded corners? Grrr. That darn butterfly totally distracted me from my plan for the corners. Papercrafting ADD, that's what I have. And now I'm so disgusted with the whole card, I'm not even going to bother trying to make it again....

Because I just couldn't bear it if the rounded corners didn't save this card and elevate it to the status of something worthy of the Metropolitan Museum of Art. (*snort*)

Especially because there's no chance rounded corners would elevate this card since the butterfly almost covers the upper right corner, so what's the point anyway? (*big snort*)

Especially particularly because giving up and starting anew is sometimes absolutely the right thing to do when things go sideways.


*Although Leo certainly wouldn't have posted the results of his less-than-genius creations on the internet for comic effect. Leave that desire to spread joy and laughter to me. Now, go make something and love it, even if it goes sideways!

Monday, November 30, 2009

Feel Better Soon and Tips on Stamping with Clear Stamps



Leaves and bling, and purple and green. What more could you want?!?! This card is as straightforward as it looks.

Since I really don't have much to say about the card (except that I love it!), let's talk about getting good impressions with clear stamps. This card uses photopolymer stamps from PTI, which are high quality, stamp beautifully, and are very affordable. I love high-quality clear stamps but realize some people are either viscerally opposed to clear stamps or inexperienced and thus afraid to try them.

I fell in the latter group, got over my fear, and placed an order with PTI in August of 2007. Stamping with clear really is different from stamping with rubber, but the differences are easily overcome. For me, four main things affect clear-stamp image quality: ink, paper, stamping surface, and amount of pressure.

When stamping solid photopolymer images, I find some inks work better than others. Thicker inks like VersaColor (pigment inks), VersaMagic (chalk inks), Brilliance (fast-dry pigment inks), and ColorBox/SU craft (slower-drying pigment inks) give the best coverage and are my go-to inks for stamping with clear stamps.

These inks are very thick and sometimes require more frequent reinking than other types of inks, at least in my experience. I've bought pads that didn't work well at all, but once I reinked them, they worked beautifully.

A few other brands also work well with photopolymer, such as Memento and VersaFine and Palette. I use Palette Noir and Dark Chocolate for all outline images, clear or rubber. These work great for coloring in with any medium and don't smear.

Sometimes, SU classic and other thinner inks pool a bit or don't give complete coverage on clear stamps, especially poor-quality ones made of silicon rather than photopolymer. (BTW, I despise silicon stamps and refuse to buy any more of them...talk about visceral reactions!) I've heard you can ink clear stamps with VersaMark ink, then the dye ink, to get a good impression, but I've never needed to try that myself. Generally, SU classic works okay for me with clear stamps, especially with line images. But the thicker inks do give a nicer impression.

Another factor that affects image quality is paper. Cheap paper rarely takes ink well, in my experience. Some people prefer smooth paper like SU's whisper white; some prefer paper with a bit of tooth like PTI's white. I generally go with PTI's white because it's heavier, thus making a nicer one-layer card, and because the thicker inks dry faster on it than on smooth paper.

Basically, I'm too impatient to wait for thick inks to dry on smooth paper and tend to smear them. Grrrr.

Stamping surface also affects image quality. I rubber stamp mostly on a self-healing cutting mat, but for solid-image clear stamps, I stamp on a special pad made for stamping. It's like a giant, extra-thick mouse pad, purchased at JoAnn's years ago. I've read at SCS about people using sheets of craft foam, which would probably work well and cost less. You just need an even surface that has a bit of give to it.

Finally, the amount of pressure you exert with clear stamps is less than what's required with rubber stamps, especially with sentiments or outlined images. This simply takes practice to get right. Just yesterday, I put too much pressure on a clear sentiment and had to cover it up because the lines came out all blurred. Urgh. Solid clear images can take a lot of pressure, but even they will get blurred around the edges if you push too hard.

I hope this post helps those of you who are struggling with clear stamps or are too afraid to give them a try. Rubber and clear both have definite advantages and disadvantages, and everyone's priorities will vary.

Isn't it great we have so many options these days?

Saturday, November 28, 2009

Grateful for You



Here's the next post in my Turning a New Leaf series. Have I mentioned how much I love this set? Yes? Well, not enough yet.

I LOVE THIS SET!!!!!!

Today's card uses the largest leaf branch in the set. Let's stop for a minute and sigh in delight at the graceful curves of it. All together now: Sigh. So pretty.

I stamped the branch in Versacolor khaki ink first. Then I stamped three circles of a very light magnolia ink on a scrap of white paper. I stamped three much smaller circles of topaz ink on the magnolia circles, and then punched the flowers out so the topaz circles were centered in the flower.

I just love how the off-white flowers look with the white background paper!! What a great way to get a punched shape in just the right color you need. Works great if you have a bazillion ink pads like I do.

The sentiment is stamped in topaz and is from Signature Greetings, Dawn McVey's new set at PTI. Let's have another collective, happy sigh, shall we? Sigh.

This color combo was so fresh and fun to play with after what seems like MONTHS of red and green and snowflake blue. Oh, yeah, it HAS been months. But I'm not tired of Christmas. Thank goodness, 'cause I am not done with it yet.

Have a blessed Sunday, folks! If you celebrate Advent, you might enjoy hopping over to Questioning my Intelligence. I'm posting a few Advent devotionals there during the next month.

Supplies
stamps: PTI Signature Greetings, Turning A New Leaf
cardstock: PTI white
ink: VersaColor
accessories: flower punch

Christmas with a Button



Turning a New Leaf...there aren't enough words to express how I feel about this set from PTI. It's TOTALLY AWESOME! But even using all caps doesn't do justice to my feelings. Here's another Christmas card I made with it. Over the next few days, I'll post some non-Christmas cards that use it. Good golly, this set is PERFECT for clean and simple cards.

At first, I tried burgundy and then green strips under the border punch (with matching ribbon in the button). Both colors looked so heavy and unbalanced the card. By putting the white cardstock behind the white and keeping the ribbon white as well, the whole card seems brighter and happier.

I hope all my American readers are enjoying the long holiday weekend! We sure are.

Supplies
stamps: PTI Signature Christmas, Turning a New Leaf
ink: VersaColor burgundy, evergreen
paper: PTI white
accessories: button (PTI), ribbon, Martha Stewart border punch

Friday, November 27, 2009

Warm and Yummy Gift Set

This set is destined for my friend Deena. It's full of yummy things packaged in a warm and cozy style using PTI's Holiday Treats set. The colors are SU's close to cocoa and bravo burgundy, and PTI's vintage cream.



The card (on right above) is a 4.25" square designed to mimic the toppers below. I made the box (on left above and close-up below) specifically to fit the Tazo tea bags, but if boxes aren't your thing, you could use a cello bag and topper.

Simplicity Tip: The easiest way to learn how to make boxes is to get a template off the Internet. There are lots of free ones you can use to figure out the basics. Once you've made a few boxes using templates, you'll see how easy it is to customize them for whatever size you need. Seriously. Easy! And buy a Scor-Pal if you don't already have one. Those things are DA BOMB. You KNOW you deserve one!


The rest of the goodies are packaged in cello bags (the Russian Tea is in small zip bags that hold a single serving each). My friend loves tea and chocolate and shortbread, so this is the perfect set for her.

Clean and simple packaging, plus tasty treats. I love Christmas!

Supplies
stamps: Holiday Treats
cardstock: PTI vintage cream, SU bravo burgundy
ink: SU close to cocoa, bravo burgundy; PTI vintage cream
accessories: cello bags (Hobby Lobby), ribbon, circle punches, scalloped circle punch, dimensionals, staples